(1834-1917) Edgar Degas was born on the 19th July, 1834, in Paris, France. A member of an upper-class family (his father was a banker), Degas was originally intended to practice law, which he studied for a time after finishing secondary school. In 1855, however, he enrolled at the famous École des Beaux-Arts, or School of Fine Arts, in Paris, where he studied under Louis Lamothe, a pupil of the classical painter Jean-Auguste-Dominique Ingres. In order to supplement his art studies, Degas traveled extensively, including trips to Naples, Florence, and Rome (where he lived for three years), in order to observe and copy the works of such Renaissance masters as Sandro Botticelli, Andrea Mantegna, and Nicolas Poussin. From his early classical education, Degas learned a good deal about drawing figures, a skill he used to complete some impressive family portraits before 1860, notably The Belleli Family (1859). In 1861, Degas returned to Paris, where he executed several history paintings, or works with historical or Biblical themes, which were then the most sought-after paintings by serious art patrons and particularly the prestigious state-run art show, the Salon, held each year in Paris. He also began copying works by the Old Masters from the Louvre, which he would continue doing for many years. With his historical paintings (including 1861's Daughter of Jephthah, based on an incident from the Old Testament) and his finely-wrought portraits of friends, family members, and clients, the young Degas quickly established a reputation among French art circles and never suffered from the financial problems that plagued many of his contemporaries. Soon, however, Degas began to shift his focus from historical painting to depictions of life in contemporary Paris.
By 1862, he had begun painting various scenes from the racecourse, including studies of the horses, their mounts, and the fashionable spectators. Degas' style after the early 1860s was influenced by the budding Impressionist movement, including his friendship with Édouard Manet, as well as his introduction to Japanese graphic art, with its striking representation of figures. Along with his work painting scenes from the racetrack, Degas began concentrating on portraits of groups, most notably of female ballet dancers, who became Degas' most famous subjects. Degas served in the artillery division of the French national guard during the Franco-Prussian War of 1870-71. Upon his return, he worked on even more ambitious studies of groups, often in motion, in both indoor and outdoor settings. In October 1872, Degas visited the United States for five months, spending time in New Orleans, Louisiana, where some members of his family were in the cotton business. From this experience came his famous painting New Orleans Cotton Office (1873). Many of Degas' paintings featured the artist's experiments with unorthodox visual angles and asymmetrical perspectives, somewhat like a photographer's treatment of a subject. Examples of this style are A Carriage at the Races (1872), which features a human figure who is almost cut in half by the edge of the canvas, and Ballet Rehearsal (1876), a group portrait of ballerinas that appears almost cropped at the edges. From 1873 to 1883, Degas produced many of his most famous works, both paintings and pastels, of his favorite subjects, including the ballet, the racecourse, the music hall, and café society. Though he never suffered from lack of money or interest in his work, Degas stopped exhibiting at the Salon in 1874, and thereafter displayed most of his works alongside those of the other Impressionists, including Claude Monet, Alfred Sisley, Berthe Morisot, Pierre-Auguste Renoir, and Camille Pissarro. His strong focus on draftsmanship, portraiture, and composition distanced him from the rest of the artists identified as Impressionists.
Sometime in the 1870s, Degas began to suffer a loss of vision, which limited his ability to work. He began increasingly to work as a sculptor, producing bronze statues of horses and ballet dancers, among other subjects. A number of his sculptures, including Little Dancer of Fourteen Years (1880-81), were figures dressed in real costumes, and many of them captured the moment of transition between one position to another, giving the statues a real sense of immediacy and motion. As Degas' eyesight grew worse, he became an increasingly reclusive and eccentric figure. In the last years of his life, he was almost totally blind. Edgar Degas died on September 27, 1917, in Paris, leaving behind in his studio an important collection of drawings and paintings by his contemporaries as well as a number of statues crafted in wax and metal, which were cast in bronze after his death.