Émile Jean-Horace Vernet (30 June 1789 - 17 January 1863) was a French painter of battles, portraits, and Orientalist Arab subjects. Vernet was born to Carle Vernet, another famous painter, who was himself a son of Claude Joseph Vernet. Fittingly, he was born in the Paris Louvre, while his parents were staying there during the French Revolution. Vernet quickly developed a disdain for the high-minded seriousness of academic French art influenced by Classicism, and decided to paint subjects taken mostly from contemporary culture. Therefore, he began depicting the French soldier in a more familiar, vernacular manner rather than in an idealized, Davidian fashion. Some of his paintings that represent French soldiers in a more direct, less idealizing style, include Dog of the Regiment, Trumpeter's Horse, and Death of Poniatowski. He gained recognition during the Bourbon Restoration for a series of battle paintings commissioned by the duc d'Orleans, the future King Louis-Philippe. Critics marveled at the incredible speed with which he painted. Many of his paintings made during this early phase of his career were considered to combine anecdotal accuracy with a charged romantic landscape. Examples of paintings in this style include the Battle of Valmy, the Battle of Jemappes, and the Battle of Montmirail. Over the course of his long career, Horace Vernet was honored with dozens of important commissions. King Louis-Philippe was one of his most prolific patrons. His depictions of Algerian battles, such as the Capture of the Smahla and the Capture of Constantine, were well-received, as they were vivid depictions of the French army in the heat of battle. After the fall of the July Monarchy during the Revolution of 1848, Vernet discovered a new patron in Napoléon III of France. He continued to paint representations of the heroic French army during the Second Empire and maintained his commitment to representing war in an accessible and realistic way. He accompanied the French Army during the Crimean War, producing several paintings, including one of the Battle of the Alma, which was not as well received his earlier paintings. One well known and possibly apocryphal anecdote maintains that when Vernet was asked to remove a certain obnoxious general from one of his paintings, he replied, I am a painter of history, sire, and I will not violate the truth, hence demonstrating his fidelity to representing war truthfully. Vernet died in his hometown of Paris in 1863.
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