Henri de Toulouse-Lautrec (November 24, 1864 – September 9, 1901) was a French painter, printmaker, draftsman, and illustrator, whose immersion in the decadent and theatrical life of fin de siècle Paris yielded an oeuvre of provocative images of modern life. enri Marie Raymond de Toulouse-Lautrec Monfa was born in Albi, Tarn in the Midi-Pyrénées Region of France, the firstborn child of Comte Alphonse and Comtesse Adèle de Toulouse-Lautrec. An aristocratic family that had recently fallen on hard times, the Toulouse-Lautrecs were still feeling the effects of the inbreeding of past generations; the Comte and Comtesse were first cousins, and Henri suffered from a number of congenital health conditions attributed to this tradition of inbreeding (see below). A younger brother was born to the family on August 28, 1867, but died the following year. At ages 13 and 14, Henri fractured both his thigh bones. The breaks did not heal properly. Modern physicians attribute this to an unknown genetic disorder, possibly pycnodysostosis (also sometimes known as Toulouse-Lautrec Syndrome), or a variant disorder along the lines of osteopetrosis, achondroplasia, or osteogenesis imperfecta. Rickets aggravated with praecox virilism has also been suggested. His legs ceased to grow, so that as an adult he was only 1.54 m (5.05 ft) tall, having developed an adult-sized torso but retained his child-sized legs (0.70 m/27.5 in long). However, he is also reported to have had hypertrophied genitals. Physically unable to participate in most of the activities typically enjoyed by men of his age, Toulouse-Lautrec immersed himself in his art. He became an important post-Impressionist painter, art nouveau illustrator, and lithographer and recorded in his works many details of the late-19th century bohemian lifestyle in Paris. Toulouse-Lautrec also contributed a number of illustrations to the magazine Le Rire during the mid-1890s. He was declared to be The soul of Montmartre, the Parisian quarter where he made his home. He often portrayed life at the Moulin Rouge and other Montmartre and Parisian cabaret and theaters, and, particularly, in the brothels that he frequented avidly (allegedly, he contracted syphilis from Rosa la Rouge, who lived in a brothel). He lived there for long periods among the women that adopted him wholeheartedly and made him their confidant and the witness of their most intimate acts that inspired the lesbian scenes of many of his drawings and paintings. He painted singer Yvette Guilbert, Louise Weber, known as the outrageous La Goulue, the glutton, a dancer who created the French Can-Can, and dancer Jane Avril. Toulouse-Lautrec gave painting lessons to Suzanne Valadon, one of his models (and, by all accounts, probably his mistress as well). An alcoholic for most of his adult life, he was placed in a sanatorium shortly before his death. He died from complications due to alcoholism and syphilis at the family estate in Malromé, fewer than three months before his 37th birthday. He is buried in Verdelais, Gironde, a few kilometres from his birthplace. His last words reportedly were Le vieux con! (Old fool). Throughout his career, which spanned less than 20 years, he created 737 canvases, 275 watercolors, 363 prints and posters, 5,084 drawings, 300 pornographic works, some ceramic and stained glass work and an unknown number of lost works. After his death, his mother, the Comtesse Adèle Toulouse-Lautrec, and Maurice Joyant, his art dealer, promoted his art. His mother contributed funds for a museum to be built in Albi, his birthplace, to house his works.
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